Oh yeah. It's time for the Michael Jackson post. Now a lot of you people don't realise the awesomeness of MJ, so before we start it's a must that you let your jaw drop to this clip:
It's likely that you view this nut as a white ghost maniac who morphes himself on a monthly basis, snuggles with boys and occasionally dangles his children from balconies, but the time has come for you to delve into his back catalogue! Let me open my magic fedora and say CHA'MONE MOTHERFUCKERS!!
|Off The Wall (1979) - This is his fifth album but normally considered his debut. The opening cut is "Don't Stop Til You Get Enough", and if you don't like that song i can't help you, there are enuffa blogs out there for people like you (or are there?). Off The Wall features Michael's best singing and i think it's a nice place to start.|
|Thriller (1982) - Oh i think you've heard of this one. It's only the most-selling album of all time! 104 million. Jesus christ. Remember how everyone and their grandmother bought that shitty Californication album by the Red Hot Chili Peppers? Well, that sold 15 million. This album is full of hits. Literally, actually: Only two songs on Thriller were not top 10 singles. At this point MJ was the biggest pop star since Elvis, and when you see his groundbreaking music videos it's not hard to see why.|
Bad (1989) - Okay, this is where MJ began to go crazy. I mean... bad? You're a street punk now? You wear black leather and chains? You're WHITE now? No Michael, just no. But at the same time, yes! Because this album contains more eee-hee than any of the others and i loves me some eee-hee. Cha'mone.
|Dangerous (1991) - I think this is a very underrated album, his 3rd best after Off The Wall and Thriller. The hard industrial beats are completely off the hook. I was amazed at how modern the sound is, more often than not it sounds totally contemporary, like something Timbaland wishes he did (this specifically goes for the second cut. Holy shit). Anyway, it contains Jam and Black or White. And err, Heal The World. At this point i'm so into Michael that i can actually stomach Heal The World! Well at least until the second octave raise where the children come in. So i guess i can't entirely stomach it, but i don't hate it|
The latest italian L'uomo Vogue has a fantastic spread with Michael:
Now he hasn't even been close to looking cool the last 10 years but that has damn sure changed now, truly a pleasant surprise. He also looks like he's having a lot of fun.
This bodes very well for his 2008 comeback album, altho the fact that Kanye West and Will.I.Am are involved is a serious blow to me... if they stick to producing that's totally fine because Kanye has good taste in soul samples and Will.I.Am isn't actually that bad a producer when he doesn't have Fergie's crack whore voice oozing on top of it. But: you know they're gonna open their worthless mouths. This is not a good idea. If you like the way those guys rap then you suck at hip hop.
Well enuff about those dickheads, it's time to dance! Put on your black brogues, sparkling socks and slick fedora, and don't forget your sequined glove! Eee-heee
(more stuff tucked away in comments)
mandag 22. oktober 2007
Hi guys! I'm really sorry i haven't been upping anything lately, I've unfortunately lost my ipod and my hard drive is in limbo.
But on Tuesday I went to see Animal Collective!
The concert was so great that they have now been promoted to my favourite contemporary band in the world. They can serve you the missing link between obscure indie and hard house and then go on to reveal that it's actually the bridge in a catchy pop song. I said wow.
Check out the single off their new lp, or you can just cop the whole thing which is what I would recommend.
BUY -- KJØP
Here's a KEPX radio special from September
MP3s (courtesy of Blogs Are For Dogs):
Animal Collective - Fireworks / Essplode (Live on KEXP 9-14-07)
Animal Collective - Leaf House / Who Could Win a Rabbit (Live on KEXP 9-14-07)
Panda Bear's new solo album:
Panda Bear - Person Pitch (2007)
Avey sang flawlessly, it's impressive that he could sing an entire song like fireworks without any background vocals. He also made noises, like clearing his throat, then running it through an effects pedal and just chopping it up
Geologist. Nobody cared about him really. The other two were so prominent.
He stood there fiddling with the synths and the wires all night, though it was impossible to tell exactly which of the sounds he was responsible for in the chaos.
For a trio they had an immense scope sonically
I got the idea that panda bear was the one most in charge of the soundscape. It sounded produced and they consistently kept it interesting
After switching instruments they would sometimes loop the previous passage and building up layers of sound. Panda was tuff behind the drums too and the effect of that ruff sharp acoustic sound in the mess was incendiary
After the concert we had a beer with Avey and my friend Kreismyr told him that he felt like the band had come to Oslo from 2015 to bring us the news
søndag 27. mai 2007
Hal Blaine is the most recorded drummer in musical history. He played on classics by Frank Sinatra (& Nancy), Elvis, Byrds, Love, Supremes, Beach Boys (all of Pet Sounds, Good Vibrations etc.) Simon and Garfunkel and everything Phil Spector did. He was the leader of the Wrecking Crew, consisting of the most active session musicians in Los Angeles during the fifties and sixties. A hip cat, in 1967 Blaine was tripping like everyone else. And this is trippy stuff! I'd say this record is a must listen for all the drummers out there, but it's certainly not everyone's cuppa tea. The album is out of print and is not available on CD.
I'M SORRY! This link is down. I'll ask my friend to upload it again now that I've lost my hard disk
lørdag 19. mai 2007
I'm treating you to a rare funk album from a mysterious frenchman today, recorded in France in 1974. Streaking! is an instrumental jazz funk record that sounds like the definitive blaxploitation soundtrack. Meaty funk grooves provide the backbone for the dynamic brass workouts in a wild steaming pot of organ grinds and wah wah guitars. Too bad the french never did a remake of Dolemite, this LP woulda been the perfect score. Streaking! is probably of most use to those of you who live in Los Angeles... whether you're planning a drive-by, a robbery or simply pimp-slapping someone, this is the music you should hear in your head. Getaway music.
If you're a beatmaker or producer you should have no trouble at all copping killer breaks with all the bona fide stank contained in here. And you're likely to get away with it since the record hasn't ever been released on CD, it costs a fortune on eBay and returns few hits on the internet.
Yes, now gimme the stank
Since it's a vinyl rip you'll hear the occasional snap, crackle and pop, but the overall sound quality is great. Check out this record if you're planning on taking a drive in a big city.
I'm really happy to upload this one today! This is a forgotten pop classic from the eighties that by some mind-boggling reason is still unavailable on cd. It fetches $400 on eBay and is pretty damn hard to find on the internet as well, but fear not, it's coming your way! Apart from the excellent cover, the main selling point here is that it was written and produced by Prince in his prime. Well, officially he just co-wrote three tracks and co-produced one, but i call bullshit on that one, everything on this record sounds exactly like a Prince record, from the delivery of the vocals and the lyrics to the arrangements. The production is as polished here as on Purple Rain or Parade. I'd say Prince plays a lot of instruments here (as do The Revolution), and he's clearly audible singing background vocals on For Love. Whatever the truth might be, this is one juicy pop record. And let's not give Prince all the credit, Jill Jones rules.
Jill Jones started out as a backing vocalist for Prince on the Dirty Mind tour. She later sang lead on 1999 and featured in some of his videos and films. This was her first and only album, until she returned in 2001 with an album that is great, if we're to believe the enthusiasts over at Amazon.
But with her superb vocals/delivery and looks, it's kinda strange that she never amounted to much apart from this record that unjustly had to be forgotten. Well, now that it's here you should grab it. If you like pop music that is!
I WANT TO GRAB IT
I feel like it's the right time of year to bring out this one. Elliott Smith was a remarkably talented singer-songwriter who sadly stabbed himself in the gut with a knife in 2002. In his field he was surely one of the greatest artists of the last 20 years, but the at times too-sad nature of his songs and the fact that he was really ugly made sure that he never made it big commercially. However, the sheer beauty of his best songs makes it easy to call him an underappreciated artist. When this album came out, he had just won an Oscar for his contribution to the Good Will Hunting soundtrack, a lush, cinematic song with a really big sound. Whereas his previous records were sonically sparse and underproduced, XO brings more instruments into the mix and is more optimistic and less introverted. The crisp production makes it more accessible and brighter than his other albums (save perhaps Figure 8), but this is really sad pop music. The only real clunker here and a track I always skip is Amity, which is completely SHIT and sticks out like a sore thumb from an otherwise very moving record.
Although this is my favourite Elliott Smith album, many fans prefer its predecessor Either/Or, so I'll post both today.
XO - GET - BUY - KJØP
Either/Or - GET - BUY - KJØP
QUESTION: How awesome was Roger Troutman?
Roger Troutman was the leader of ZAPP. You're sure to know his voice from the chorus of California Love. This is his first solo album, released one year after the first Zapp album. What can I say that the Youtube clip didn't? This is THE most talented funkateer in history. And such a funny guy. "So Ruff, So Tuff" on this album... is just the coolest song I know. Check out the awesome cover of "Heard It Through The Grapevine. Listen to "Max Axe". This band was so funky it's insane. In fact, Zapp is one of the most sampled acts ever, right behind James Brown and Parliament/Funkadelic/Clinton. This was the music people in the hood bumped in their lowriders before there was gangsta rap. The first time they appeared on television, George Clinton introduced Roger as the most talented person he had ever met. Sure enough, Roger was one of a kind. His jazzy guitar playing, influenced by traditional blues and players like Wes Montgomery, has a distinct sound that just radiates joy and happiness. His mastery of the vocoder is unmatched: He took a gimmick instrument mostly used to create robot voices and gave it soul. The production is pristine (the first Zapp album was co-produced by Bootsy Collins, but I hardly think he influenced the sound) and this was one of the things that grabbed me first - funk normally sounds gritty, but the soundscape here is crystal clear and just immaculately polished, without compromising any of the funk. Be sure to grab the first Zapp album too, unless you want to miss "More Bounce To The Ounce", and you don't
Zapp I - GET - BUY
The Many Facets Of Roger - GET -- BUY
Zapp & Roger's Greatest Hits - GET - BUY
Maybe the best album of 2006. The Blow are Jona Bechtolt, who makes the electro beats, and Khaela Maricich, who writes the songs and sings, often with a fast rap-like delivery. I had the chance to see her on sunday, and it was wonderful. Jona wasn't visible once - it was Khaela's show from start to finish. She set the mood by tapping a rhythm on her microphone while singing a soothing acappella called "How naked are we going to get?". She told us that she couldn't bear to do the concert if she knew that anyone couldn't see properly, so she went on to organize everyone in the crowd by height. She put on a great show just singing and dancing, but amazingly, she talked just as much as she sang, and the banter was brilliant from start to finsh. Her monologues were always funny - with touchingly honest explanations to the songs. She really befriended us. So when she then went on to sing the absolutely gorgeous "Parantheresis" it had a lot more impact when we knew what she was singing about. Paper Television is addictive pop music, and the whole album is driven by beats that are dead tight. Don't miss it!
GET -- BUY -- KJØP
Get into Prince with this!
My favourite Prince album and the one that got me into his music. This was his third album, the one where he first came into his own... the first Prince album really. He played almost all of the instruments and produced it himself at home. The minimalistic and catchy production makes it instantly accessable. The melodies are good and the delivery is great. And then there's the lyrics! They are absolutely off the hook. In 1980 it was the dirtiest, most explicit LP ever released for a commercial audience. Hard to imagine how audacious this must have sounded to most people in at the time. Prince lasciviously sings about threesomes, doin' it all night and recieving head in the limo, from a bride on the way to her wedding. There's even a song called "Sister" which, uh, is also about sex. The record is direct in every way, from the melodies to the playing, and the sparse arrangements pull Prince's vocals, groans and sassy hick-ups to the front. No bad songs on here really. The rock tunes work just as good as the pop and funk workouts. The synth solo on the end of "Head" is my favourite solo ever!
There's an ocean of fab Prince albums you can dig into when this has got you hooked.
Welcome to the blog! We're gonna listen to a ton of great records here, so just kick back and enjoy. Be sure to leave some comments if you have a question of just wanna say you dug it. There'll be a lot to dig here, promise! -Britz